Mariya Martell, the Princess of Dorne, was an old woman during the War of Conquest—called ”The Yellow Toad of Dorne” by Argilac Durrendon, the Storm King. When Aegon Targaryen came with his dragons, Mariya promised the might of Dorne if she would be delivered the fall of the House of Durrendon—sword and steed, bearing the sun and spear of her house—yet she refused to bend the knee. She offered only her allegiance, and no more. The Targaryens wanted absolute surrender. Rhaenys, Aegon’s sister-queen, led the invasion of Dorne. Masters of their land, the Dornishmen retaliated with petty skirmishes that plagued the Targaryen army, only to retreat, hide, and attack anew when they found the opportunity. Their enemies elusive, Rhaenys finally flew to Sunspear on her dragon Meraxes, and there demanded the princess’ surrender. She refused. Rhaenys promised to return, to destroy them with fire and blood. Unbowed, unbent, unbroken, said the princess, and since then Dorne had remained free and independent of the Iron Throne.(with Lea Seydoux as Rhaenys Targaryen)
You know when you need to practice speaking a language but you don’t want to speak it in front of native speakers because you’re worried they will judge you for your poor grammar skills and limited vocabulary
Aw thank you! ❤️
I’m fluent in Swedish, Farsi and English
Feb. 13 2014
Throughout the late 19th century, and well into the 1950′s, Africans and in some cases Native Americans, were kept as exhibits in zoos. Far from a relic from an unenlightened past, remnants of such exhibits have continued in Europe as late as the 2000′s.
Throughout the early 20th century, Germany held what was termed a, “Peoples Show,” or Völkerschau. Africans were brought in as carnival or zoo exhibits for passers-by to gawk at.
Only decades before, in the late 1800′s, Europe had been filled with, “human zoos,” in cities like Paris, Hamburg, Antwerp, Barcelona, London, Milan, and Warsaw. New York too saw these popular exhibits continue into the 20th century. There was an average of 200,000 to 300,000 visitors who attended each exhibition in each city.
Carl Hagenbeck of Germany ran exhibits of what he called, “purely natural,” populations, usually East Asian Islanders, but in 1876, he also sent a collaborator to the Sudan to bring back, “wild beasts and Nubians.” The traveling Nubian exhibit was a huge success in cities like Paris, London, and Berlin.
The World’s Fair, in 1889 was visited by 28 million people, who lined up to see 400 indigenous people as the major attraction. The 1900 World’s Fair followed suit, as did the Colonial Exhibitions in Marseilles (1906 and 1922) and in Paris (1907 and 1931) which displayed naked or semi-naked humans in cages. Paris saw 34 million people attend their exhibition in six months alone.
Just four years shy of the 20th century, the Cincinnati Zoo kept one hundred Sioux Native Americans in a mock village at the zoo for three months.
In the old days, if someone had a secret they didn’t want to share… you know what they did? They went up a mountain, found a tree, carved a hole in it, and whispered the secret into the hole. Then they covered it with mud. And leave the secret there forever.
In the Mood for Love (花樣年華), dir. Wong Kar-wai